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If I Had Legs I'd Kick You: Motherhood, Metaphors, and Missed Connections

  • Writer: Michael Ornelas
    Michael Ornelas
  • Oct 3
  • 2 min read

I’m usually the first to champion an abstract film that leans on allegory, but If I Had Legs I’d Kick You is a big swing with too many foul tips, ultimately striking out.


A woman with disheveled hair holds a bottle and bags, standing outside a house at night. The scene is dimly lit with blue hues.
Photo Courtesy of A24

The story follows Linda (Rose Byrne), a mother caring for her sick child while juggling her job as a therapist, an absent husband (Christian Slater), and a gaping hole in her roof that looms as an unsubtle metaphor. Forced to move into a hotel with her daughter, Linda’s struggles unfold in fragments that ask the audience to do much of the heavy lifting without offering a clear roadmap to any meaningful conclusion.


Man in blue sweater taking notes as a woman in a patterned shirt lies on a couch, gesturing emotionally. Room has dim lighting and blinds.
Photo Courtesy of A24

Byrne shoulders nearly the entire film, appearing in almost every shot. Her performance is deeply committed, slowly peeling back layers of Linda’s guilt and anxiety. We never see her daughter, only hear her voice, and the mystery of her illness lingers until the final act, when Linda’s own culpability is hinted at. Also notable is Conan O’Brien, making his feature film debut as Linda’s therapist. His presence is both a delight and a distraction: his natural charm shines, but it’s difficult to separate him from his well-known comedic persona, even in serious moments.


Two people in a dim room look up with concern. One holds a flashlight and cup; the other wears a "Cheap Thrills" shirt. Blue lighting sets a tense mood.
Photo Courtesy of A24

The film’s pacing and continuity, however, is its most jarring element. We shift between the hotel, Linda’s office, her daughter’s school, and even sessions with Linda’s patients, but the narrative feels disconnected. The psychedelic imagery tied to the roof hole, as well as Linda’s swirling thoughts, never fully connect to the central theme of her fear that she is unfit to be a mother. While this is a relatable insecurity, it’s presented in isolation, disconnected from the metaphorical scaffolding the film sets up.


A woman lies in bed under red lighting, looking tired while hugging a large white stuffed animal. Colorful patterns on bedding.
Photo Courtesy of A24

There are fleeting moments where the movie lands, particularly in Linda’s interactions with Caroline, a fellow mother whose own struggles mirror and exaggerate Linda’s fears. But outside of this dynamic, the film feels like a collage of mismatched characters and half-formed ideas. With its blend of absurd imagery, dangling metaphors, and meandering pacing, If I Had Legs I’d Kick You aims for profundity but ultimately doesn’t connect the pieces into the puzzle it's worked to build.

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About Me

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I love film. I love community. And most of all, I love the film community. Growing up in the suburbs of Los Angeles, I was surrounded by cinema from an early age, and since then I’ve lived in film-rich cities like San Francisco, Toronto, and now the Pacific Northwest. As a proud member of the Portland Critics Association, I’m passionate about championing movies, sparking conversations, and building a space where film lovers can connect. My hope is you’ll subscribe to the podcast, join our community, and discover more about movies, myself, and my co-host along the way. And hey, if you’re on Letterboxd, give me a follow, I’d love to see what you’re watching. See you on the pod!

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